
Pride and Prejudice. Photo: Prudence Upton
This beguiling title “Pride and Prejudice (sort of) entices us to wonder what the “sort of” will deliver. We soon find out.
Five women busy on stage, seemingly cleaning, ignore the audience as we take our seats.
But it’s not long before we find out what we have coming. Now sitting on the edge of our seats, thanks to director Simon Harvey, we discover that a better title would be “Fast and Furious”.
This is a furiously paced choreographed production that has the audience at the edge of their seat gasping at every gag trying to keep up.
With head spinning speed the cast of five women who initially entertain us with cleaning and a little music, then proceed to change characters with extraordinary effect using minimal costume additions and relying on character, voice and gestures.

Pride and Prejudice. Photo: Prudence Upton
The cast, Amy Lehpamer, Zoe Ioannou, Kaori Maeda-Judge, Ruby Shannon and Teo Verga, portray the iconic roles of Elizabeth Bennet, Mr Darcy, Jane Bennet, Charles Bingley, Mr and Mrs Bennet and all other characters.
Amy Lehpamer leads and dominates the stage with her amazing voice and superb acting. Her most impressive and hilarious role is as the luxurious and pretentious Miss Bingley. She also takes the role of Mr Bingley and the repressed Charlotte Lucas, Lizzy’s friend who is made out to be secretly in love with Lizzy but marries Mr Collins. Lehpamer captures her characters so well it’s easy to forget who she is representing as each character takes on its own life.
Teo Vergara has her hands full as Lizzie, on stage most of the time somewhere in the background racing from witty put downs, scorn and contemptuous disdain to heartfelt move centre stage as innocent and full hearted woman in love.
Kaori Maeda-Judge brings a softness to her performance as Lizzy’s sister Jane helplessly in love. She also plays Lady Catherine and Wickham.
Ruby Shannon plays servant Anne, Mr Collins and younger sisters Lydia and Mary Bennet, (who is hilariously silenced throughout until she has the last word at the end, showing she’s all about singing) Her final song brings the show to a grand finale.
Zoe Ioannou is hilarious as the anxious, domineering and panicked Mrs Bennet, and the awkward man in love Mr Darcy who absolutely nails the scene when his roles as himself and his portrait collide.

Photo: Prudence Upton
Another hilarious and very effective method is the clever use of well know songs to make the point. Largely 1980s hit songs are used to punctuate the storytelling.
My favourite is Lizzy’s taunt aimed at Darcy: “You’re so vain”
And Darcy’s ultimate reply: “I think I love you.”
The only weakness and its main struggle is near the end. The speed at which the conversion of Darcy as villain to hero needed to be presented is the only challenge that only just worked. The complexities of telling the whole story comfortably in this format was a challenge. Jane Austen’s 1813 novel tells it all in a way that has captivated readers and inspired at least 3 box office hits, about 15 to 17 direct and loose movie adaptations alongside several famous television miniseries. Another approach that is cheekily and exhaustingly entertaining in itself is a welcome addition.
Performance Times Tues-Sun 7pm, Wed & Sat 2pm, Sun 1 or 2pm (times vary weekly)
Prices: From $69 (Transaction fees apply)
Bookings: https://www.sydneyoperahouse.com/theatre/pride-prejudice-sort-of or (02) 9250 7777
Groups 8 + call (02) 9250 7777
WOLLONGONG (Presented by Merrigong Theatre Company)
Venue IMB Theatre, IPAC
Season 2-13 September
CANBERRA
Venue Canberra Theatre, Canberra Theatre Centre
Season 16-27 September
BRISBANE
Venue Playhouse Theatre, QPAC
Season 30 September – 18 October
