Review: ORA

ORA is a remarkably compelling short film that must be seen to be believed.

The sixteen minute experimental dance piece was filmed using thermal imaging technology, equipment usually reserved for medical and military operations. Heat sensitive cameras capture the body heat of six dancers as they weave a tale of creation and discovery on the screen.

ORA is directed by Philippe Baylaucq, with choreography from José Navasm, and will air alongside the feature film Francine at the Canadian Film Festival.

The film opens with a pulsating blue nebula of light. The mysterious floating figure splits into six separate entities, and from it, the forms of six dancers emerge.

Whilst the dancers operate as an organic whole, each individual performer emits their own luminous signature of heat and light.

When seen in the flesh in a traditional live performance space, the physicality and precision of a dancer’s body is captivating.

In Baylaucq’s film, the experience of watching the dancers is further heightened through the hypnotic ebb of colours and accentuation of their physicality through the infrared cameras.

The film also plays on ideas of multiplicity and reflection, achieved through the aluminium panes attached to the floor and ceiling of the Vermont studio. Slow motion is used to great effect, capturing the graceful trail of colour and heat as it glides across the screen.

ORA is a film of fascinating beauty that allows us to experience the art of dance in a whole new light.

ORA 19 August, 6.30pm Dendy Opera Quays.

Possible Worlds 7th Canadian Film Festival 13-19 August.

 

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