Theatre Archive

  Deliciously snarky, both in the performances and Harold Pinter’s precise dialogue, the first play in this double bill, The Lover, lays bare power dynamics in a bourgeois marriage. Set in the 1960s, the scene is a perfectly tidy living room, presided …

Big Girls Don’t Cry is a snapshot of Redfern in the 1960s, told from a First Nations perspective. Big things were on the horizon: the 1967 referendum, for one, but before that the upcoming 1966 Indigenous Debutante Ball to be held at …

This is a memory play says Tom at the beginning of The Glass Menagerie, as he promises to give ‘truth in the pleasant disguise of illusion’ and his soft-spoken recollections and the lyricism of Tennessee Williams’ words draw us into his story …

As director Neil Armfield notes in the program, to write and stage a play about the ‘inheritance of fascism in Spain might seem a massive reach’. And indeed, for those who know little or nothing of the Spanish Civil War, the Franco …

Monique is the mother-in-law from hell in David Williamson’s biting new comedy. She’s entitled, vain, manipulative, hypocritical, selfish and self-obsessed and who knows why her three adult sons have put up with her for his long, unless it’s just for the adoration …

It is a rare play that is both entertainingly funny yet also has such serious things to say. But Arrernte playwright Declan Furber Gillick’s Jacky, a snappy 100 minutes, certainly delivers. Jacky, played by Guy Simon, is a smart and enterprising young …

This is a play about ego and ambition, ignorance and fear. It is a story of corruption, deception, ignorance and fear. But also, friendships. And there are jokes, too. These aren’t my words – they are spoken by the actor Jamie Oxenbould …

Di Smith is not new to the Australian public. Fans know her well from her role as Dr Alex Fraser in the long-running TV series A Country Practice, Australian cinema, Charlie and Boots and Emoh Ruo, Muriel’s Wedding, Puberty Blues and most recently, her …

Walking into WildThingProduction’s Seventeen at the Seymour Centre, we were instantly taken back to high school. The stage had been covered in AstroTurf. There was a broken swing-set, a graffitied table and even a bubbler, small details designed to spark our own …

  Acknowledging the inevitability of death seems to be all the rage at the moment, what with the TV series Swedish Death Cleaning and Ray Martin considering his burial/funeral options on his three-part doco on the ABC, but British playwright Laura Wade’s …