Carrie Kablean Archive

This production of Gaslight is a beautifully polished work that keeps audiences guessing – no mean feat for period drama. In their clever adaptation of Patrick Hamilton’s 1938 play, Johnna Wright and Patty Jamieson have kept the nuances of Victorian Gothic but …

What a lively and sparkling adaptation of Chekhov’s Uncle Vanya this is. Joanna Murray-Smith has brought out the comedy in this tale of lives blighted by disillusionment and ennui without losing the melancholy underlying the tale. Her contemporary dialogue is so easy …

Neil Simon wrote this wonderful comedy in 1965, and if it were a novel that would make it ‘historical’ fiction. As a play perhaps it is a period piece? Whatever, because it is about human idiosyncrasy it remains, under the direction of …

  An epic play and an epic performance from Robert Menzies as the cantankerous, incredulous and increasingly befuddled old monarch who loses his grip on his mind as he gives away his kingdom. The play was first performed in 1606, in the …

Billed as an ‘explosive homage to legendary opera singer Maria Callas’, Terrence McNally’s 1995 opera play opens with Lucia Mastrontone (in the principal role) conducting a masterclass in New York’s Juillard School of the Arts. Her Callas, now past her prime as …

All that jazz, indeed, and so much more besides. This Chicago delivers on every level – singing, dancing, choreography, characterisation, music. It’s all fabulous and top notch. The opening number – with a gloriously sultry Zöe Ventura as Velma heading the female …

Strut & Fret’s Blanc de Blanc shows, which sold out at the Grand Electric, prove hard acts to follow but Limbo – The Return has its moments.  In this global ensemble, headed by New York acoustic musician Sxip Shirley,  the South African/NZ/Aussie …

‘We live in peace if not harmony,’ said the city guide showing me around Belfast last year. It’s a statement that has stayed with me as I think about the divides in Northern Ireland and remember the clusters of Union Jacks flying …

What an absolute delight to see this production again. David Ireland’s lacerating black comedy, written as the #MeToo movement was gathering momentum and referencing the aftermath of Brexit, takes aim at – among other things – misogyny, gender politics and the always …

  A script that bristles with venom and wit, two extremely well cast actors vying for the upper hand, hints of menace that are as chilly as the Swiss Alps outside and all of this going at a cracking pace – what’s …