PamWalker Archive

Review: Phedre, Bell Shakespeare

You could be forgiven for thinking you were in an Amphitheatre on a cliff somewhere in the Mediterranean, not on Sydney Harbour watching a rare performance of the Jean Racine classic Phedre. The elegant but sharp Ted Hughes translation of the Racine …
Four-legged stars of Cavalia gallop into Sydney

Four-legged stars of Cavalia gallop into Sydney

Forty-seven majestic horses, stars of the multimedia and acrobatic spectacular Cavalia: A Magical Encounter Between Human and Horse, arrived at the Entertainment Quarter at Moore Park yesterday. The trailers transporting the four-legged stars are the last to arrive of the 90 semi-trailers …

Review: Henry 4

The unrepentant but charismatic reprobate Falstaff owns the stage in Bell Shakespeare’s latest work, Henry 4, now at the Sydney Opera House Drama Theatre until May 26. John Bell has always wanted to play Falstaff, and it shows. He throws himself into the role with evident …
Review: A Clockwork Orange

Review: A Clockwork Orange

I was very curious about how the extreme violence of A Clockwork Orange, the Anthony Burgess literary classic and the 1971 Stanley Kubrick film, would work on stage. But the Action to the Word Les Currie production, directed by Alexandra Spencer-Jones, manages to convey the …
Review: The Motherf**ker with the Hat

Review: The Motherf**ker with the Hat

This intense drama is worth catching, as much for the strength of the Stephen Adly Guirgis script as for the capable performances if its five cast members. Under the direction of Adam Cook, all the actors shine in their pivotal scenes. Troy …
Henry 4: a tale of family, friendship and betrayal

Henry 4: a tale of family, friendship and betrayal

What’s it like to direct Australian living treasure John Bell? Jove for Sport Theatre artistic director Damien Ryan can offer some insight. Ryan is co-directing the first Bell Shakespeare production for 2013, Henry 4, in which Bell plays Falstaff as well as directing. …
The Russians are coming

The Russians are coming

Anthony Steel doesn’t believe that opera has had its day. With the right packaging and the right selection of operas it is an art form he is certain can still appeal to the young and the uninitiated. The veteran festival director of …